Dragons Flights and Sacrifice: A Tribute to Hermione Granger

The following is a guest post by my lovely wife Jennifer, who reminds me of Hermione in more than a few ways (which is a good thing!).  She even has her own Hogwart’s textbook, Marauder’s Map, and butterbeer mug.

Hermione Granger - Deathly Hallows Part 2Like every other woman who went through school with frizzy hair and the label of “the smart girl,” I identify strongly with the character of Hermione Granger. I have no illusions about how clichéd this is. I know it’s about as original as every non-Republican professional woman with glasses believing herself to be the one real-life Liz Lemon (I had this moment about 10,000 times while reading Bossypants).

Cliché or not, Hermione is still often my touchstone in the Harry Potter books and films. Another aspect of this connection is that, at every point when I’ve read the books or watched the movies, I have always been older than Hermione. I think a lot of older Potter fans have a feeling of pride when we see how well the three actors have grown up. I feel the same way about Hermione’s character. Even though I see parts of myself in her, I also have a sense of big-sister pride at the fact that she is stronger and more courageous than I have ever been.

And man-oh-man, does Deathly Hallows Part 2 give me plenty to be proud of.

First of all, I believe that DH2 is fantastically successful as an adaptation and, more importantly, a film. I can’t say yet whether it’s the best of the series, but I think it may be. I also think it has a chance at being the only one of the movies whose success as a film exceeds the book’s success as a novel. It’s much, much too early to say, though.

But I want to talk about the two Hermione moments in the film that made me love my girl even more.

1. Hermione jumps on a dragon.

Pretty self-explanatory. The Gringotts scene may be the best action sequence in the whole series. It combines whimsical effects (the magical reproduction of Bellatrix’s treasure), plot-driven suspense (they have to get that horcrux), our three leads in danger, and a daring escape via dragon flight. I also loved the quick nod to Hermione’s compassion for enslaved magical creatures (mostly left out of the films) with the pained look she gives upon seeing the tortured dragon.

When escape seems impossible, Harry and Ron look to Hermione for a plan. She says she has one, but that it’s “crazy.”

She then proceeds to leap onto the back of a crazed, fire-breathing dragon.

There’s a concept that comes up over and over in many feminist analyses of pop culture: the idea of agency. In looking at agency in this context, scholars examine whether female characters actively participate in the world—that is, whether they initiate behaviors and actions that have tangible results. A lot of times, the underlying passivity of female characters is masked by their sassy personality, but when you examine their behavior, they actually only act in response to the actions of male characters. They don’t initiate.

But my Hermione says “I have an idea” and jumps onto a dragon to save herself, her friends, and—ultimately—the world. Beej will tell you that a huge, proud grin broke out on my face as I said (quietly, of course) “Good girl!”

2. “I’ll go with you.”

The internet is flooded with lists of tear-worthy moments in DH2, so I won’t list mine, but I will say that this line was the most poignant teary moment for me. Harry tells his two best friends that he is going into the woods to let Voldemort kill him, and Hermione’s immediate response is to offer a teary—but determined—“I’ll go with you.”

Now, this is different from all the other times that Hermione has insisted on coming along because, usually, Harry needs her smarts and her spells to help navigate the situation. But this time, there isn’t anything for Hermione to help with. There’s no hope for a daring last-minute escape, no chance of somehow defeating Voldemort. She knows that Harry’s death is necessary and that she’s not going to talk him out of it. So when she says, “I’ll go with you,” she’s just a young woman who is willing to die to keep her best friend from dying alone. Not to stop him from dying, mind you, but just to stand by his side as she always has.

I’m sure there are other moments in pop culture that portray such remarkable friendship, but they are certainly rare. It’s also remarkable that the same character who breaks traditional feminine roles by leaping onto a dragon also embodies the very best of that traditional role with her nurturing selflessness.

Of course, Hermione’s devotion to Harry brings up one question for some fans: Why does she end up with Ron instead? I always kind of went with the flow on the central romance, and I’m a little ambivalent about the message Rowling sends about love and relationships. On the one hand, it does annoy me a bit that she reinforces the “type of person you’d be best friends with” vs. “type of person you should fall in love with” dichotomy. Too often in pop culture, these are presented as opposing personality types when, I would think, they should at least be very closely related. Beej and I were friends for two years before we started dating.

On the other hand, I love that Rowling portrays a long-term, loving friendship between a young man and young woman. My oldest, most loyal friend is male, and we’ve each stood by the other during plenty of hard times (not so difficult as Harry and Hermione’s, but difficult nonetheless). Plus, Hermione and Ron are very dear friends, after all. It’s not as though she suddenly ends up with Draco, which would happen in plenty of romantic comedies with the “if you love that jerk enough, he’ll stop being a jerk” plot. (By the way, this romantic-pairings tangent was inspired by this lovely post that I ran across tonight).

Like everyone else who has followed the series for years, I feel a little sad that the main avenues for the stories are finished. What a tremendous gift it’s been, though, to see it through with these characters who have simultaneously been friends, reflections of ourselves, and heroes we can aspire to emulate. Hermione is far from the only unforgettable character of Harry Potter, but I sure am glad that she’s been around for me and that she’ll be waiting for the next generation of book-smart girls and boys who dream of saving the world.

Which moments in the Harry Potter series (novels or films) have stuck with you?

On Reading Twilight and Harry Potter

versus-twilight-vs-harry-potter The Wizarding World of Harry Potter moved me to rush home and re-read the whole series from the beginning.  I also figured that since Eclipse was releasing to theaters soon after my return, I would trudge through the final three installments of Twilight and have a wonderful time writing a series of blog posts analyzing the differences in characterization, writing style, and literary worth among other things.

The original plan was to read Harry Potter 1-7 then Twilight 2-4 and write based on the experience of finishing the two series consecutively.  So I got home from Orlando, finished The Red Pyramid, then eagerly broke into Philosopher’s Stone (yes, the UK version), and finished it pretty quickly.  I then had a choice: I could alternate HP and Twilight books, or I could finish one series and then read the other.  Since Chamber of Secrets is my least favorite of Rowling’s, I opted to alternate.

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The Wizarding World of Harry Potter – Our Awesome Soft Opening Adventure

Florida 2010 pictures 2 270 My wife and I had planned our trip to Florida (our vacanymoon to steal a term from a friend) around the biennial Joss Whedon conference Slayage.  We thought we were getting incredibly lucky because Universal Orlando’s new theme park—The Wizarding World of Harry Potter, obviously—had been pushed back to a Spring 2010 opening.  When we made plans for the first week of June, we saw no way the park would not be open already.

Until we saw the grand opening date on a TV commercial one night: June 18, 2010.  2 days before the technical end of Spring.  Our hopes were dashed.  The park opened 6 days after we planned to leave.  But such is life, and we made our peace with being able to go into Universal’s Islands of Adventure and see Hogwarts but take no part.

That is, until Nikki Stafford told us at Slayage about the wonderful Twitter hashtag of #potterwatch that detailed the park’s soft opening events during the week leading up to the 18th.  Then with rabid (if not morbid) curiosity, Jennifer and I began incessantly refreshing #potterwatch on our iPhones as we traversed Disney parks until we broke down and decided to make a mad dash on the first day that the Wizarding World was open to the general public.

And we’re insanely glad we did.  Because The Wizarding World of Harry Potter may very well be the best designed and most immersive theme park ever created.

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The Wizarding World of Harry Potter – Soft Opening Impressions and Red Carpet Event

The Wizarding World of Harry Potter has its grand opening on June 18, 2010.  My wife and I are currently vacationing (pseudo-belated honeymoon style) in Orlando, but have to leave before the 18th.  Luckily, Universal is going through their soft opening right now, and we were able to sneak a peek at some of the Wizarding World’s attractions.

Interestingly, we were able to find some Universal execs wandering the park and eavesdropped for a while, hearing something we had no idea about beforehand: there is going to be a red carpet unveiling event at the Wizarding World of Harry Potter, which we assume means celebrity-laden festivities at a particular location (which we got pictures of!) in the park on June 18th.   I’m not sure if this is new information, but I haven’t seen any information about an extravaganza for the theme park, so I wanted to share it with the world if it is.

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Whose Story is It Anyway?

It's All About MeEvery story is about someone, one particular character without whom the story could simply not be told.

Every time we pick up a book or watch a movie, we are investing in this  single character.  It might be the main character; it usually is.  We follow them as spectators through their adventures, trials, and journeys, and our reward is (generally) good solid storytelling with a smidge of catharsis or vicarious thrillage.

But sometimes, the protagonists just don’t have that “oomph.”  There’s no pizzazz or depth to them.  While they’re interesting enough to read or watch for a while, they are not the ones driving the action; they are simply being driven by it.

To me, the very best stories are those that tell the story of someone who is not the main character.  The very best stories are those whose lynchpin does not stand centerstage, whose keystone might not be in the center of the narrative arch.

“Why?” you ask.

I answer you: “I’m not sure.”

What’s even more confuzzling is how I can read some books and watch some shows/films and still have no idea whose story I am being told.  It’s like the main character is not deep enough to really fulfill my innate need for narrative cohesion.

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