[Guest Post] – Top 5 Ultimate Batman Villains of All Time

There are literally hundreds of villains in the DC universe and Batman has tangled with his fair share while protecting Gotham City from the dregs of humanity. But of course, some are more dangerous than others (poor Ventriloquist…stuck committing crimes through a Tommy-gun toting dummy named Scarface). Here are just a few of the most memorable villains to go up against the Dark Knight and truly earn his ire.

Catwoman

The hero usually gets the girl, but this nimble minx certainly makes him fight for it. A staunch feminist at best and a man-hater at worst, this villain has a love-hate relationship with the one bat that can best her, and she fluctuates between wanting to play house with him and tear his eyes out. Eventually she always seems to lean towards the latter (thank goodness for those of us that love a good villain!). But whether she’s catapulting over his head (pun intended) or giving in to the temptation to smooch him, this black cat seems to bring the Dark Knight nothing but bad luck when she crosses his path.

The Joker

Few villains in the Batman universe have more reason to hate the caped crusader than the gangster he dropped in a vat of chemicals, especially since the experience turned the Joker’s visage white, his hair green, and his mind to mush. The result is a crazy criminal mastermind hell-bent on destroying Batman and the city he protects in the most cruel and inventive ways possible – so long as they’re fun. He and his posse of and purple-clad miscreants terrorize Gotham City with both a snappy fashion sense and a sense of humor.

Ra’s al Ghul

His name translates to “the demon’s head”, and this is a fitting descriptor for Bruce Wayne’s one-time teacher. Okay, so he was actually only a mentor in the movies (in the comic world he tried to enlist Wayne as a sort of heir in his genocidal plans, which Wayne refused). But it’s no surprise that the two would be enemies; al Ghul is apparently over 500 years old (thanks to the discovery of a life-giving spring) and determined to use his many well-honed skills to eliminate the majority of the human race in order to restore balance to the world.

Two-Face

This unpredictable scoundrel makes Batman’s life hell, at least when the coin flip tells him to. As the former district attorney, Harvey Dent tipped the scales of justice. But as half-crazed Two-Face (so named because one half of his face is horribly scarred by acid) he lets Lady Liberty decide; his misprinted dollar coin has her face on both sides (with one side is scratched). This dichotomy makes Two-Face one of the most difficult villains for Batman to fight since he never knows what’s coming.

Scarecrow

This psychologist-turned-super villain is nothing if not a gas, and he uses his fear-inducing chemical cloud (along with a creepy scarecrow mask) to frighten his marks into submission (whether they are helpless patients or cape-wearing heroes). You could play Zombie Games 365 days a year and never come across villains this devious or devoted to their craft, and he certainly packs a psychological punch when poking around in Batman’s fractured psyche.

Evan Fischer is a freelance writer and part-time student at California Lutheran University in Thousand Oaks, California.

New 52 Justice League vs. The Ultimates

I’ve seen three new comic movies this year: The Avengers, The Amazing Spider-man, and The Dark Knight Rises. They were all incredibly different experiences–Spidey was fast and fun, Batman was gritty and epic, and Whedon’s superteam was witty and heartfelt.

The Ultimates 3 - Number 5 Cover

The one thing they all had in common, though, was each new movie made me miss reading comics a little more each time. Until I just couldn’t stand it any more.

So I’ve spent the better part of the last week sorting and organizing my old comics collection, and I’ve narrowed down my reading to two specific categories: Marvel’s Ultimate Universe and DC’s New 52.

The two universes share a common foundation: a fundamental reboot of continuity and intertextual narratives.

Having narrowed down which comics universes I was going to be working through, I figure there’s nowhere better to start than with each company’s signature superteam titles: The Ultimates and Justice League.

The Ultimates - Number One CoverNew 52 Justice League - Number 1 Cover

Apples and Oranges?

While The Ultimates was not the first Marvel Ultimate title–it was the third, two years behind Ultimate Spider-man and Ultimate X-Men–it has become a kind of flagship comic for the universe since its inception in 2002. The titular superteam has been through four limited-run series and innumerable tie-ins and crossovers.

The New 52 Justice League, on the other hand, has just under a dozen issues, no major tie-ins or crossovers, and hasn’t even hit the one-year mark of its launch. It’s still an embryo by comics standards.

That said, it’s not fair to compare the current state of The Ultimates to the New 52 Justice League. So I’m going to talk about their debut story arcs, both of which coincidentally run right at six issues.

Ten Years Ago…

Marvel was floundering. They were on the verge of going under and would do anything to revitalize themselves. They sold movie rights to their properties willy-nilly, and they used the Ultimate line of comics to prove that you could tell great superhero stories in a modern context with relatable, human characters.

The Ultimates -  ThorSo in 2002, The Ultimates launched. It was written by Mark Millar and focused on what it would be like to put together the world’s first superhero team (in a world where superheroes were just going public, mind you).

Sound familiar? It should. If you’ve seen any of Marvel’s Phase One movies, up to and including The Avengers, they pretty much lift Fury’s assembling of the Avengers from how his comic-self put together The Ultimates.

But here’s the thing: The Ultimates isn’t about superheroes. Not really.

Issue 1 opens with Captain America talking to soldiers in WWII, and from there, you learn about Bruce Banner’s inadequacy issues, Hank Pym’s violent streak, Tony Stark’s megalomania and alcoholism, and Steve Rogers’ old neighborhood going to hell.

You barely see the superheroes themselves. Because the story isn’t about the action and the spectacle. Sure, they fight a rampaging Hulk, and there are some fantastic action shots of Captain America dropping a tank onto Smashy McSmasherson’s head, but that’s pretty much contained to about one issue. The other five are about the people it all happened to.

Ten years ago, Millar did the same thing to The Ultimates that Whedon did to The Avengers: he took something larger than life and made it personal. He told a good story.

Ten Years Later…

So with The Ultimates being my decade-old touchstone for how to tell a good superhero story, I downloaded some Android comics apps for my Galaxy Note and snagged the first few issues of Justice League.

Issue 1 was okay. The art was pretty (Jim Lee), and the writing was solid enough (Geoff Johns). It had Batman being all gruff and no-nonsense as he met up with Green Lantern for the very first time. Not Bruce Wayne and Hal Jordan–Batman and Green Lantern. 

New 52 Justice League - Batman

They bicker, Hal makes a few jokes, and eventually they uncover that there’s something up with these “Mother Boxes” that are appearing all over the world, so they seek out Superman. Again, not Clark Kent–Superman.

New 52 Justice League - Superman

Which makes sense because these guys don’t know each other yet. The next few issues are other heroes finding the Mother Boxes and being teleported together and forced to fight alongside one another as Darkseid pops out of a boom tube.

Long story, short: day is saved, heroes get a medal, and the New 52 Justice League is founded.

And by the end of it all, the reader knows absolutely jack-squat about those people. They know Green Lantern likes to play bad cop, that the Flash is a cop, and that Cyborg has daddy issues. But as far as emotional connections, resonance, or even a reason to give a damn?

It ain’t there.

The New 52 Justice League is all spectacle. It’s fun, sure, but there’s no real story there. There was no reason to care about Darkseid destroying the earth. There was no real fear for the characters because I didn’t know them.

And after seeing The Dark Knight Rises and watching The Man of Steel teasers, I can’t help but feel that the New 52 did the exact opposite of Millar: they took stories that are grounded in the personal (Bruce’s parents’ deaths, Clark’s relationship with Ma and Pa Kent, Hal’s arrogance, and Diana’s isolation) and made it all larger than life.

Which is a shame.

The Ultimates Number Two Cover - Iron ManLesson Learned?

Maybe it’s too early to tell what’s going to happen with the New 52. But after reading Justice League and a few other titles, I can’t help but feel that DC dropped the ball. Not that I want DC to have an Ultimate-style universe like Marvel, but with over 12 years of seeing why fans respond so well to Marvel properties and the Ultimate line itself, I’d think that DC might try to emulate that themselves.

Instead, New 52 feels like more of the same from DC. They’re trying to make their new lineup more accessible, which continuity-wise, I guess it is. (Though, I bet we can give it 5 years and there’ll be another reboot or Crisis of some kind.)

I think, though, that someone at DC missed the part of the memo saying that being accessible doesn’t have to equate to being simple.

Objection! Girls Can Be Geeks, Too!

Joe Peacock really ruffles my feathers. You may have already had the misfortune of reading Peacock’s newest tirade against what he calls “geek posers”. This newest installment is specifically against those geeks who just happen to be female. In it, he claims that attractive girls who cosplay or wear “geeky” attire at Cons are “poachers.” He claims these poachers are women who resort to wearing skimpy outfits because they are incapable of finding companionship outside of the legions of mouth-breathing, desperate nerds. The outfits, according to Peacock, supposedly make these women feel better about themselves and impress the basement-dwellers at the Cons.

Wait, back up. How exactly can he make this argument, anyways?

The Clubhouse

Let’s start with what we know about Joe Peacock’s stance on the matter generally. Joe has already made his views clear on how he believes the geek community should be regulated in previous articles. Mr. Peacock has this belief that, if you now become interested in the geek community or its myriad topics, you must be a “poser”.  For Peacock, this is doubly-true if you are an attractive woman, since you’re here just to boost your self-esteem (more on this later).

See, according to Joe Peacock, if you weren’t in the clubhouse already, you must only be in it now for the popularity contest, because you had ample opportunity to get in before it became cool, but you just couldn’t bring yourself to do it.

I contend that this is just factually incorrect. Geeky pursuits of all varieties have had varying (but mostly low) levels of public exposure for a long time, and much of it has been negative. Sure, people outside the “inner circle” knew about these pursuits–but were they actually exposed to them?

Let’s also not forget that everyone has to come to this community somehow. I am lucky in that my Dad made me watch Star Wars as soon as I was old enough to understand the plot, but that doesn’t make me a better geek than someone who watches Star Wars for the first time today and throws themselves into it–it just makes me an older geek. Why is it less legitimate for someone to come to enjoy geeky pursuits now?

The insistence of people like Joe Peacock on holding aloft their geek credentials like some kind of rallying point is troubling. When did this community become a clubhouse, anyways? We should be welcoming new minds and hearts to our geeky pursuits of choice, not discounting them based on timing or gender, as Joe would have us do.

We can’t exclude people based on their gender, physical appearance, or their relatively new arrival to the community. What we should be doing is encouraging new geeks, not trying to shut them out of our clubhouse. Joe does state that he is willing to teach the “posers”, and I believe that what we’re seeing from him is likely a genuine love for “geek culture”, or whatever you want to call it. He states:

“‘Geek’ is what happens when passion overrides your need to be accepted or fit in. It’s loving something so much that you throw yourself wholeheartedly into it.”

This is an interesting (if somewhat poetic) description. The sad part is that Joe feels that he is able to both define the parameters as to what constitutes a “real” geek and also to decide who fits this description ahead of time, thus regulating the whole community. The argument he presents is basically “if you’re not as passionate as me, you must not be a real geek.”

The Poachers

Specifically, he shows us his lurking fear of geek girls.

I give Peacock credit for identifying the entertainment industry’s increasingly common attempts to reach the geek demographic, but this fact does not an argument make (or at least not this one). Is the entertainment industry trying to introduce more geek-friendly programming and icons (including female icons)? Sure they are: they see it can make them money. Love it or hate it, that’s how capitalism works.

But Peacock takes this and runs too far with it. Does this mean that the attractive girl in the Cammy outfit is only at the Con because she has low self-esteem and wants to be idolized by nerds? No, that is a leap even Mario would have trouble making.

Yet here Joe finds himself:

“I get sick of wannabes who couldn’t make it as car show eye candy slapping on a Batman shirt and strutting around comic book conventions instead.

I’m talking about an attention addict trying to satisfy her ego and feel pretty by infiltrating a community to seek the attention of guys she wouldn’t give the time of day on the street.”

Joe tries to soften this blow by stating beforehand that he knows beautiful geek girls who are “bona fide geeks.” That’s great Joe, really great. Couldn’t you consider that the girls you dismiss offhandedly as being “attention addicts” could also be legitimate geeks? Why is that so difficult for you to believe, and what gives you the right to act as ultimate arbiter over the status of any geek girl you see at a Con that you don’t personally know?

Why does anyone have to prove anything to you?

I am not a champion of the cosplay community, so I allow for the possibility that this kind of person could exist. Even so, you cannot pre-judge someone based solely on their appearance. Even if you positively ascertained that someone is a “poacher” by talking with them (again, this is a stretch and no one is obligated to prove anything to you), wouldn’t it be better to try to show them the joy that is our hobby rather than kick them to the curb? And ultimately, even if they were one of these mythical “poachers”, what harm have they done to you? Matt Dukes (@direflail) of Critical Hits echoes my sentiments on Twitter:

Joe does betray some of his feelings on the topic by using the word “Infiltrating,” though. He seemingly views geek girls as invaders or outsiders. What damage they are doing to him, or even to the community at large, is not elaborated upon with any amount of clarity:

“They’re poachers. They’re a pox on our culture. As a guy, I find it repugnant that, due to my interests in comic books, sci-fi, fantasy and role playing games, video games and toys, I am supposed to feel honored that a pretty girl is in my presence. It’s insulting.”

I can’t speak for Joe or anyone else, but not once have I ever been at a Con where an attractive woman in a costume walked up to me and demanded that I feel honored in her presence. Of course, no one is actually insulting Joe–he’s just threatened or maybe confused by the fact that an attractive woman at a Con might actually enjoy the same things as him. I don’t know why this is difficult for him to believe. Anyone can be a geek.

Perhaps even more disturbing is that Joe equates these women with Olivia Munn immediately afterwards, claiming they have no investment in the culture. Reality check: regardless of your personal thoughts or feelings on Olivia Munn, she was being paid by organizations with a vested interest in expanding the types of viewers they could attract. You can argue whatever you want about Olivia Munn, but an attractive woman cosplaying at a Con does not have anything in common with her besides her gender, as far as you know.

And I can’t help but feel that this is part of Joe’s real issue.

Though he gives props to Felicia Day and allows for the existence of “real” attractive geek girls, it seems like he is unwilling to implement these beliefs at the ground level. To him, these new attractive geek girls are poachers, until proven otherwise. He’s already counted them out. But then, he ironically goes on to claim that he is not the one objectifying women:

“However, you “6 of 9s” out there? You’re just gross. There’s an entire contingent of guys in geekdom who absolutely love you, because inside, they’re 13 year old boys who like to objectify women and see them as nothing more than butts and a pair of boobs to be leered at. Have fun with them, and don’t be shocked when they send you XBox Live messages with ASCII penises.

Those of us who actually like substance? We’ll be over here celebrating great comics, great games, great art, great movies and great television, because we’re actually attracted to a completely different body part: the brain.”

Honestly, it was a shame that this section was left until the end of Joe’s piece, because if he had put this at the beginning of the post, it would have been better for everyone involved. Joe has excluded these women and reduced them to nothing but “butts and boobs” by dismissing them as poachers without allowing them the possibility to just be attractive geeks. Perhaps my favourite and most telling reply to the article came via Twitter, from Felicia Day (@feliciaday):

Inclusivity is what the geek community needs, and what will make the community a stronger and better place to share all our geeky joys. Any man or woman can be a geek. No one person has sufficient geek cred to pretend like they get to decide that.

Unfortunately, inclusivity is the one thing that Joe–and people like him–are not willing to compromise on. They’re too busy deciding who the “real” geeks are.

Have something to say about the state of modern geekdom? Sound off in the comments!

Batstravaganza! – Top 5 Batman Video Games

Continuing Batstravaganza! is Evan Fischer, a freelance writer and part-time student at California Lutheran University in Thousand Oaks, California. 

The Dark Knight has long been a fan favorite in the world of comics because of his iconoclastic nature; he took a childhood tragedy and turned it into…well…tragedy (for the bad guys). His dark nature and refusal to play nice with authority has long branded him as something of a fallen angel (despite the fact that he wails on the baddies with the best of them).

And although he has been depicted in a number of ways throughout the years across several forms of media (not just in comics, but also through radio shows, televisions series–both live and animated–and movies), his presence in video games truly allows fans to become this masked crusader, at least for a little while. However, not every game has added something useful to the franchise, and there are some that gamers would probably rather forget.

That said, there are just a few that turned out better than the rest.

Batman: Arkham Asylum (2009)

Most gamers will agree that this is hands-down the best addition to the franchise yet (although the follow up, Batman: Arkham City is pretty amazing, as well). Developer Eidos teamed up with Warner Bros. (owners of the movie franchise) to create a game that was true to the canon, and the use of talented and experienced voice actors from the DC Animated Universe (namely Kevin Conroy as the Dark Knight and Mark Hamill as the Joker) probably didn’t hurt. The result was a highly-rated game that offered players a well-planned storyline, third-person gameplay with plenty of options for movement and weapons, an interactive environment, and free-flow combat that let players decide how battles would go.

Batman: Return of the Joker (1991)

This follow-up to 1990′s NES game, simply titled Batman, has the hero going a bit batty when his main nemesis, the Joker, escapes from Arkham Asylum. The side-scrolling gameplay was typical of the time, but the fantastic graphics were anything but average. And the use of projectiles rather than the standard pow-style punches was a hoot.

Batman Begins (2005)

The movie franchise got a reboot with visionary director Christopher Nolan at the helm and deep-voiced Christian Bale as Batman, and EA delivered a game based on the movie (with the lead actor on board for voice work). Although there are some snags (not much in the way of interactive environments) the production value offers excellent graphics and there are several fighting and driving sequences that provide for fun gameplay and make this more than just another movie tie-in.

Adventures of Batman and Robin (1994)

This arcade style game for the Sega Genesis has the titular bat and his sidekick battling foes in a side-scrolling setting (no stunning 3D spaces in this throwback to a now defunct system). Interestingly, this title was created by two different companies at the time of release; Sega did the version for their own console while Konami was tapped to do the version for the Super NES, and the games came out a bit different. There are several reasons that some franchise fans and hard-core gamers prefer Sega’s iteration, including two-player functionality, shooter-style gameplay, and a level of difficulty that meant not everyone could work their way through. Of course, this departure also turned off some players.

Lego Batman (2008)

You might think this offering falls under the category of kid’s games (for gamers that are content to play Barbie and truck games 365 days a year). But getting hung up on the particulars (characters comprised of the titular blocks) would be a mistake. The Lego tropes actually provide for some humorous moments, but the best part of this game is that you collect characters as you go. So once you complete the game and head into free-play mode you can use villains to unlock objects that were off limits during your first run-through, providing additional gameplay opportunities. Been there and done that? Try the recently released Lego Batman 2: DC Super Heroes.

Don’t see your favorite Batman video game? Sound off in the comments and let us know why it’s awesome!

 

The Batman Tragedy: Death in the Family

Today is a sad day for nerds, comic fans, and movie goers everywhere. If you have not heard of the tragedy in Colorado at the Batman: Dark Knight Rises premiere, you can get a recap here.

The scary thing for me, is like most readers on this site, I myself fit all three categories of nerd, comic fan, and movie goer. This could have happened to me, my family, or my friends. My son could be without a father, just because I wanted to engulf myself in the filmed artistic expressions of nerdom. This is a frightening thought. As I told B. J., these people were us.

I shudder to think what the families of these victims are going through. Truly, these people have the condolences of everyone here at ProfessorBeej.com and I hope they get all the support they need. And don’t think for one moment, that because you may not have been there, or have any personal ties to the people involved, that you are not allowed to be affected. Quite the opposite. Like I said, when I heard this happened, it scared me. It scared me to the point of nearly shaking. Reach out to friends, family, or professional help if this situation gets to you. There is no shame in that. But at the same note, do not let this affect your life. They say that the terrorist wins when we stop our day to day lives due to their actions. Personally, I don’t see how there are any winners in situations like this, but that does not change the fact that life goes on, and there is plenty of wonderful nerdy goodness for us to enjoy.

With that being said, I think the words of nerd legend, George Takei, sum things up, “Many victims of today’s tragedy were fans of science fiction/fantasy. They stood in line to be the first to see, to be inspired, and to escape. As a community of dreamers, we mourn this terrible tragedy and the senseless taking of innocent life.”